Numbers of the Beast #2: A skew loose?

Posted in Indulgence, Uncategorized, music stats on June 24th, 2010 by Alex
Lemmy - A skew loose?

Lemmy - a skew loose?

So we’ve learned that some bands have pretty obsessive fans. It’s nice that they’re listening to a lot of Opeth’s music, but are they just getting gooey over one album or even a single track? Let me demonstrate what I mean at its most extreme – the one hit wonder. This is not a phenomenon that’s particularly prevalent in the metal genre, so we’ll look to the genre most susceptible: pop. When I think of one hit wonders, one track always seems to spring to mind: Deep Blue Something – Breakfast at Tiffany’s. It’s a nauseating ditty that seems to blight the airwaves still, even 17 years after its release. Let’s see what Deep Blue Something’s last.fm listener profile looks like shall we?

Deep Blue Something last.fm

Breakfast at Tiffany's and some other tracks

Oh dear, a staggering 83% of Deep Blue Something’s overall listens were from that one track that you doubtlessly find occasionally looping round in your brain, eating away at your soul. In statistical speak this effect is broadly referred to as Skew or Skewness. According to Wikipedia “In probability theory and statistics, skewness is a measure of the asymmetry of the probability distribution of a real-valued random variable.” Ummm, yes. Put more simply, and in the current context, if folks are listening to 1 or 2 songs from a bands catalogue lots, and hardly anything else, then that band’s playcount would be considered to be skewed. In last.fm circles, the calculation for this is often referred to as AEP (I won’t bore you with what it means, other than it’s a fairly arbitrary statistical calculation) which gives an indication of skew across a band’s top 50 tracks. The AEP is a value of between 0 and 5 that indicate skewness, where 5 is not skewed at all (all tracks listened to exactly that same amount of times) and 0 (or less) is very skewed. Thanks to that wretched track, Deep Blue Something’s AEP is -13 (yes minus 13), compared to, to pick another more successful pop act, Michael Jackson, whose AEP is a respectable 2.7.

So, how does my list of metal acts fare in the AEP stakes? Let’s have a look:

Artist AEP
Devin Townsend 4.43
Neurosis 4.41
Blind Guardian 4.37
Napalm Death 4.35
Opeth 4.32
System of a Down 4.3
Cathedral 4.29
In Flames 4.28
Tool 4.27
Children of Bodom 4.25

So here we see a different picture again. These are very high AEP’s, which indicates that the bands’ top 50 most listened to tracks are listened to a comparable amount of times. What this suggests about a band is that they’re not just a 1 trick pony – their fans love a wide variety of their tracks rather than listening to just a couple before moving on. Predictably, In Flames make a reappearance, Opeth remain strong, and we all knew that Devin Townsend fans were an obsessive bunch (this incidentally, doesn’t include all the numerous variations on Townsend’s solo band names, or SYL, who are #32 in this list). This is a respectable list – Neurosis, Tool, Cathedral, all at the top of their game and widely respected, and there’s a real mix of genres here. Perhaps this is a demonstration of a quality all round band, no filler. Albums bands, career artists.

This may all be true, but things get a lot more interesting, and confusing, if we consider the other end of my (far from exhaustive) list:

Artist AEP
Nirvana 3.03
Ozzy Osbourne 2.53
Black Sabbath 1.84
Soundgarden 1.69
Mötorhead -1.28

Yeah, a bunch of flash in the pan, one hit wonders – non-players. Oh wait…those would actually be some of the most revered and respected bands in the rock/metal arena! What went wrong? I’ll give you 5 reasons: Smells Like Teen Spirit, Crazy Train, Paranoid, Black Hole Sun and last, but by no means least, Ace of Spades. If you don’t know exactly what those 5 labels refer to, then you must have been living in a cave for the past 40 years. Now, for many of these bands, these tracks are the worst, but not the only, offender (Come as You Are is a close second for Nirvana for example), but each bands have significant skew thanks to these BIG hits in their back catalogue, something that few of our least skewed acts have. So we’re still missing a dimension here…

Let’s take Mötorhead, who are skewed into minus numbers by their ‘classic’ (quoted as Lemmy doesn’t reckon it’s their best track) Ace of Spades. Now, as we saw earlier, Breakfast at Tiffiny’s accounts for 83% of DBS’s overall listens, so what of Ace of Spades? Well, it clocks in at a modest 10% of Mötorhead overall listens. So where are all the other listens going? Well, remember that AEP is calculated across a band’s top 50 tracks, so the majority of listens of Mötorhead’s tracks must be happening outside of their top 50. Given Mötorhead’s rich and voluminous back catalogue this is hardly surprising.

So, there’s another calculation that will tell us which bands benefit from this sort of listener attention, it’s called the Long Tail and we’ll discuss this in the next article.

Related articles:

A long tail of a critical discrepancy

Numbers of the Beast #1: Love you long time

Tags: , , , , , , , , , , , , , ,

The Devin Townsend Project – Addicted

Posted in Album, Reviews on December 22nd, 2009 by Alex

Let this be known by all bands: Album samplers are a really bad idea. What I mean by ‘sampler’ is a single track, usually placed on MySpace, made up of bits of other tracks spliced together. You see, I’m a huge fan of Devin Townsend. I own pretty much everything he ever recorded (including Strapping Young Lad), and not all of it is good (let’s be honest, Ziltoid is a bit pants). After hearing the album sampler of Addicted, Townsend’s second album this year, I thought “oh well, you can’t win them all”. I actually didn’t bother rushing out to buy it after hearing this. After all, attempting to record 4 albums in a year was always going to result in a bit of dross right? Obviously Townsend decided to get that over and done with on one album.

Wrong. Addicted takes a bit of getting used to. Harking largely back to Townsend’s earlier solo work, these darkened pop songs are about as far removed from SYL as he’s likely to get, and a massive departure from the progish restraint of quartet opener Ki. There’s heaviness here aplenty but it’s tempered by Townsend’s keen ear for melody. Vocal duties are a tag team effort between the bald one and Dutch chanteuse Anneke van Giersbergen, which sometimes feels a little disjointed, but for the most part softens and brightens proceedings.

This collection not only hangs together, but taken as a whole is actually quite affecting. Even ill-advised Coldplay pandering dirges like Ih-Ah! don’t manage to spoil the party. Highlights Awake! and the magnificent re-interpretation of Hyperdrive (which originally appeared in more muted form on Ziltoid) will have Townsend fans slavering for more.

Addicted just can’t be digested in little chunks, it needs to be lived with, which is why the sampler was such a bad idea – it just doesn’t do the album justice. This is no shallow pop album, but an asserted statement from one of metal’s grand conjurors. It’s not his best – it’s a far cry from the heady heights of Terria and Alien – and I think that Ki will stand the test time more gracefully. It’s also probably his least experimental, daring or (dare I say it) zany recording. So no boundaries pushed here, just a display of first class pop artistry.

Townsend will continue turning the rumour mill on what the final 2 DTP albums will sound like. The next instalment, Deconstruction, was originally touted as SYL by any other name. Townsend has since retracted this rumour, but as long as he keeps this sort of quality up, I’m not sure if I’ll mind that much if it sounds like M-People.

Tags: , , ,

Top 10 Tracks of 2009

Posted in Indulgence, Tracks on December 6th, 2009 by Alex

I’m not ready to publish my top 10 albums yet – I have to torture myself over this for a little while yet, plus there’s some bits and pieces that I’ve not heard yet that I wish to hear before making my choice.

These are my favourite tracks recorded this year as they stand right now. I have no doubt that this will change within minutes of me hitting publish, but I’ve got to stick a stake in the ground somewhere. They are in no particular order, as attempting to do so would certainly prove too much for my fragile musical sensibilities.

Here we go:

  • PelicanGlimmer (What We All Come To Need) – A gorgeous instrumental slow burner
  • OmThebes (God is Good) – Hypnotic, epic, looooong
  • Alice in ChainsLooking in View (Black Gives Way to Blue) – Like being sat on by a house
  • The Devil’s BloodThe Anti-Kosmic Magik (The Time of No Time Evermore) – A guitar duel to die for
  • The Devin Townsend ProjectHeaven Send (Ki) – Wacky, but in a mature way
  • GriftegardCharles Taze Russell (Solemn Sacred Severe) – The album title pretty much describes this perfectly
  • PhotonicCustomer Loyalty (Recorded Contact) – Randomness from New Zealand
  • MastodonThe Czar (Crack in the Skye) – Epic, schizophrenic, progressive and loud
  • Middle Class RutI Guess You Could Say (25 Years EP) – It’s shallow but cheerful
  • No Made SenseThe Epillanic Chorigi (The Epillanic Chorigi) – Neurosis style progressive heaviness

Notable omissions:

Various other tracks from both Black Gives Way to Blue, Recorded Contact and Crack in the Skye could have made it in there, but I didn’t want to clutter it with multiple tracks from a single band. Baroness’s Blue Record deserves a mention – as a whole it’s a brilliant album, but individually none of the tracks stood out enough to warrant inclusion. Other top tracks include:

Lamb of God – Reclamation
Extreme – Run
Pixie Lott – Boys and Girls
Dycian Maze – The Hand Inside
TrippyWicked – Movin On

This is all very nice, but the fact is, I’ve had a year of musical discovery, so much of the stuff that I’ve loved this year wasn’t recorded this year, which is why I don’t feel very satisfied with this list…but I’ll save those for another post.

Tags: , , , , , , , , , ,

The Good, the Bad and the Ugly – Part 1

Posted in Indulgence, News, Tracks on August 20th, 2009 by Alex

The Good

Devin Townsend nonchalantly Tweets:

@dvntownsend counting down…late nights, great progress…suddenly very happy about record 2. Released around Nov 20.

and unleashes more verbose psychobabble on the world:

Musically, ‘Addicted’ is along the lines of the big, wall-of-sound hard rock/heavy metal of Ocean Machine and (The Devin Townsend Project’s) ‘Accelerated Evolution’ — even Physicist at points. It is a very direct and ‘to-the-point’ album with an emphasis on groove and the chorus.

Exciting stuff, seriously. If it’s 1/10th as good as Terria or Accelerated Evolution, it’ll be amazing. Perhaps more tantalizing however is:

On other notes: I have been rehearsing with a new band, and we will start touring in early 2010, representing all the back catalogue of solo material, from ‘Ki’, ‘Addicted’, Physicist, Ziltoid, Terria, Ocean Machine, The Devin Townsend Band, Infinity etc… I have some big plans for this and rehearsals are sounding amazing. The touring entity will be called ‘Devin Townsend’ and is essentially a way for me to get out there and interact again and showcase 15 years of music that never really got its fair shake. We look forward to seeing you out there!

Yeah! You better be doing that in the UK Mr. Townsend!

Next – A new track released off of Megadeth’s anticipated new album:

Do I hear some leanings back to Countdown to Extinction days? Speed metal loveliness indeed!

Every Time I Die released another new track off of the forthcoming New Junk Aesthetic on their Myspace. This is a delightfully pleasant recording, but does anyone else notice a hint of a softer, more commercial sound seeping through? Could this be the beginning of a slippery slope for the southern hardcore mavericks?

This week I discovered that not all Metalcore sucks, with the introduction to my music vocabulary of Burnt by the Sun. Like a darker version of Hatebreed, they keep the breakdowns to a minimum and deliver top notch aggressive metal. I may even put on some big sunglasses and a fake beard (to wear over my real beard) and venture out surreptitiously to but a copy.

Other stuff keeping me happy:

  • No Made Sense with their brutal progressive hardcore and stupid sounding album title
  • Photonic, which has lead me to dust off various albums by Fugazi, Pavement and Guided by Voices
  • Oceansize. Apparently they have an EP out soon.
  • Earth. Slowly I’m getting my head around this most frustrating of bands. Albums Pentastar and Hex are simply beautiful but also infuriating.
  • Revocation. Everyone is carping on about them like infatuated teenagers thanks to Cosmo Lee’s article suggesting that they may be the next great metal band. That’s probably going a bit far at this early stage, but they are pretty good. The guitar solo on Dismantle the Dictator is to die for. No doubt Metal Hammer will be forcing them down our throat for the next 3 years.

The Bad

Desparately naive wannabe journo’s laying into indisputably legendary bands like Black Sabbath. Why on earth would you write such an ill-informed bucket of badger shit is totally beyond me.

Music streaming site Spotify is part owned by the evil overlords of the music industry in an attempt to keep the site afloat in the face of pitiful advertising revenues and in lieu of paying out royalties to the record labels. If this isn’t depressing enough, it sounds like the artists aren’t getting any royalties either and are unlikely to see any dividends when some cash burdened corporate is stupid enough to buy this service which is as likely to see profit as I am likely to turn green and transform into a million dollar bill.

…and the Ugly

This dude bustin’ some classy moves. I have been known to do this after a couple of beverages, which is when it gets truly ugly.

Tags: , , , , , , , , , ,

New: Devin Townsend – Coast Video

Posted in Tracks on July 28th, 2009 by Alex
Alien?

Alien?

Coast is the most accessible track of Devin Townsend’s coming of (old) age album Ki. Although not necessarily representative of the dense melancholy pseudo-prog on this involving album, it’s an enjoyable atmospheric rock song. This spooky Blair Witch meets Area 51 video, however, casts a completely different aura over this innocuous number. A collage of largely static, monochrome images tell of monoliths and aliens with newspaper cuttings and amorphous landscapes all spliced together in time with the music. Quivering and edgy, this is actually a little unsettling.

Also for your enjoyment Devin has also shelled out for a new website which contains lots of on-brand nu-Devy imagery and plenty of shrink-couch babble for your vicarious indulgence.

Tags: ,

New: Devin Townsend Project – Heaven Send

Posted in New on May 31st, 2009 by Alex

Devin Townsend Project

Devin Townsend Project

Devin Townsend continues to confound. Somewhat predictably, his new album KI is nothing like anything he’s ever done before. Part of a 4 album cycle, all due this year, Ki is the mellow one. The albums will get heavy (Strapping Young Lad style one would assume) before going all quiet again. Well that’s nice.

Devin sobered up and apparently has got all growed up too. He also shaved is trademark hair off (this is truly a sad turn of events). Time will tell if this is a good thing, but Ki is an impressive start to this new venture.

Heaven Send is the schizophrenic center piece. A mesmerizing prog-rock epic, reminiscent of Porcupine Tree with a bit of Nine Inch Nails thrown in for good measure. The driving female sung mantra really gets the head nodding. This is certainly my favourite Townsend recording since Synchestra. Nice one Dev!

Heaven Send – Devin Townsend Project

Tags: , ,