I’m not ready to publish my top 10 albums yet – I have to torture myself over this for a little while yet, plus there’s some bits and pieces that I’ve not heard yet that I wish to hear before making my choice.

These are my favourite tracks recorded this year as they stand right now. I have no doubt that this will change within minutes of me hitting publish, but I’ve got to stick a stake in the ground somewhere. They are in no particular order, as attempting to do so would certainly prove too much for my fragile musical sensibilities.

Here we go:

• Pelican – Glimmer (What We All Come To Need) – A gorgeous instrumental slow burner
• Om – Thebes (God is Good) – Hypnotic, epic, looooong
• Alice in Chains – Looking in View (Black Gives Way to Blue) – Like being sat on by a house
• The Devil’s Blood – The Anti-Kosmic Magik (The Time of No Time Evermore) – A guitar duel to die for
• The Devin Townsend Project – Heaven Send (Ki) – Wacky, but in a mature way
• Griftegard – Charles Taze Russell (Solemn Sacred Severe) – The album title pretty much describes this perfectly
• Photonic – Customer Loyalty (Recorded Contact) – Randomness from New Zealand
• Mastodon – The Czar (Crack in the Skye) – Epic, schizophrenic, progressive and loud
• Middle Class Rut – I Guess You Could Say (25 Years EP) – It’s shallow but cheerful
• No Made Sense – The Epillanic Chorigi (The Epillanic Chorigi) – Neurosis style progressive heaviness

Notable omissions:

Various other tracks from both Black Gives Way to Blue, Recorded Contact and Crack in the Skye could have made it in there, but I didn’t want to clutter it with multiple tracks from a single band. Baroness’s Blue Record deserves a mention – as a whole it’s a brilliant album, but individually none of the tracks stood out enough to warrant inclusion. Other top tracks include:

Lamb of God – Reclamation
Extreme – Run
Pixie Lott – Boys and Girls
Dycian Maze – The Hand Inside
TrippyWicked – Movin On

This is all very nice, but the fact is, I’ve had a year of musical discovery, so much of the stuff that I’ve loved this year wasn’t recorded this year, which is why I don’t feel very satisfied with this list…but I’ll save those for another post.

This is the second release from German label Ván this year that’s got me really excited. Whereas The Devil’s Blood take a playful approach to pagan rites, Griftegard cast an epic pall of quasi-religious, existential gloom – this is not a criticism, this is remarkable stuff.

Sacred.Solemn.Severe is the musical equivalent of a Doré etching, or perhaps a rainy day in Highgate Cemetery. Chants, hymns and histrionic, impassioned crooning tell of hatred of the flesh and solemn introspection. The overwhelming protestant puritanical aesthetic is both claustrophobic and apocalyptic – Griftegard wield Christian symbolism like a sledgehammer.

Unlike many doom acts who lurk on the periphery of parody with Hammer Horror theatrics, Griftegard emanate a sense of solemn, ernest duty – this is serious stuff, and at times is somewhat unsettling. This is underpinned by some exemplary song writing and haunting soulful melody. These 6 long songs end at with the ultimate finale – death, but there are undertones of rebirth or perhaps redemption, and you get the feeling that Griftegard have a lot more to say.

Griftegard display a depth, clarity and coherence that other Doom bands could only aspire to. A steamy breath of cold, dank winter air – both refreshing and unnerving.

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